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Showing posts with label Obscene Productions. Show all posts
Showing posts with label Obscene Productions. Show all posts

Friday, 9 July 2010

The Three Absurdateers (Birdflesh, The Farmers' Wrath, 2008)

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Do you remember those ridiculous teen years when your fascination of the morbid and absurd was often displayed in a "sickening" and totally un-pc expression of humour? Despite popular belief that we all grow out of this stage, the truth of the matter is us men don't and every so often chuckle to ourselves over something as cruel as seeing mentally challenged people attempting Shakespeare. Well good news folks, there exists a band that can simultaneously cater for our inappropriate humour whilst treating our ear drums to a nice Ground and Pound: enter the bizarre world of Birdflesh.
Birdflesh hail from Sweden, most likely from a colony of nut cases and aside from being comfortable in women's clothing and presenting themselves as the biggest wardrobe malfunctions you can ever conceive, they also play a eccentric strain of Grindcore which is drenched in all manner of idiocy and humour, befitting any man who enjoys humour, post modernism and/or most importantly Grindcore.
The Farmers' Wrath is their 2008 and to date their latest release, and by a long stretch is the most bizarre of their long list of releases. Opening up with the words "welcome to the lunatic asylum" the tone has been set for the rest of the album to come, from Funny Ice Dwarfs to True Glove and The Purgatory Passion this album has them all by the dozen whatever it is they actually may be.
Visualise the originality,humour and occasional absurdity of Monty Python, well now let us make it 100% absurd all the time, throw in a large chunk of something ghoulish in lyrical and musical nature, next add infrequent totally unexplainable sexual reference  then lastly give a healthy dose of some killer catchy Grind, and before us we have some of the wackiest and funniest Grind.
Parody and joke bands have all been done before and as a concept may no longer be an original idea, however in the method and quality of presentation Birdflesh are miles ahead of competitors, and even if we ignore the humour they are also miles ahead of most bands in playing some addictive well written Grindcore.  The secret to Birdflesh's  success can easily attributed to the fact too many artists focus on making the lyrics as humorous/absurd as is in their ability, this often leads to a gross neglect to the musical ability, with Birdflesh  the music is just damn catchy and good, you are already drawn before you hear the most ludicrous possible combination of words known to man, 
True Metallica fans(you know the first 4 albums, before they went shit) and Metallica haters will surprisingly join in unison to sing along to the song Some Kind of Mongo a parody of the song and also an irrevocable disgrace to cinematic history, not to my knowledge has  a song ever had the power to unite such a disparate groups of people, Impressive.
Somewhat a rare occurrence for me is that I generally don't sing along to 99% of whatI listen to, generally to spare embarrassment or that most of what I listen to is devoid of comprehension without a lyric sheet and even then it is difficult, however I find myself singing along to The Farmers Wrath in parts I know the lyrics too, and to be honest with songs as catchy as Leprosy on Jeopardy, Some Kind of Mongo, and Wheelchair Impaler there is no reason not to sing along, other than to prevent yourself an awkward conversation that you have no intention to mock such disabled people.
The brilliant thing about Birdflesh  is that it takes a break from Grindcore's heavily reinforced anti-this and that or most savage things possible ethos, and instead make some demented fun Grindcore.





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Saturday, 22 May 2010

Bez Miłosierdzie (Squash Bowels, No Mercy, 2004)

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On the strength of Grindvirus (reviewed here), I decided to hunt down some earlier releases by Goregrinding Mad Poles Squash Bowels, and I managed to get myself a copy of No Mercy, and pretty much have been listening to it intermittently between Hayaino Daisuki and Hacavitz for the this week, I then decided to review this over the other two, although expect them to make an appearance at some point on this Blog. Anyway I wanted to flex my Polish linguistic knowledge and keep brain activity to a minimum,so I opted as the title of this post to just translate No Mercy into Polish, which pretty much is Bez Miłosierdzie, there you go you learn something new every day.
 As you know I hate Goregrind that focuses more on the Gore than the music, and Squash Bowels do it just right, by putting the music first and Gore is the by-product of the music. Now if I where to say that it is more Gorey with rhythm than Reeks of Putrefaction (I know there are some better Goregrind release but first to spring to mind), you may very well ask yourself how? well I will tell you, at times it actually sounds like some fluid sloshing around or other bodily repugnant in habeus condition; this achieved through the sickening vocals and occasionally through the guitar (God knows how!), the drum is there to give it that constant pulsating which set the tempo and also add to the immersion of being in the body of some rabid dying old man.
The vocals aside from the gurgling guttural bellows, also includes a high pitched little fellow discharging  a wide use of vile and gore filled verses. The guttural screaming instead of his verses is just as barbarous and absolute killer, imagine the birth of some demonic creature and you will get the idea.  The drums feature blast beats every so often but generally short-lived and infrequent, but with no exception the drumming is always perfect for what the other musicians are doing. The bass is recognisable at times, however after playing the album many times over you realise the bass is always there and adds that layer of groove and harshness into the songs.
The guitars like their 2009 release, are not fast with a few exceptions, but super catchy,Although the guitaring is much faster than Grind Virus in general, I was humming them to myself on the way to uni  due to their insane catchability. Like aforementioned the chords and riffs are pretty tight, they void from the guitarist doing any technical or show off stuff and just sticks to writing what best fits the song, I quite admire the combo of catchy riffs whilst the vox are vomiting forth, with the infrequent blast beat, it makes this release stand out from other Goregrind bands.
If you guys like Grind Virus then this is pretty much a must have, it has less groove and more speed and is by far one of the best Goregrind releases put out there. Their innovation is matched equally with their professional ability to play their instruments well, which in turn has earnt No Mercy a place in my regularly listened to spot.
Rating 90/100

P.S Interview with Salvage the Flesh will be up soon and will be on a static page called Interviews, just working out how to do the podcast malarkey

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