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Showing posts with label Canada. Show all posts
Showing posts with label Canada. Show all posts

Thursday, 18 November 2010

Greek Genealogy (Archagathus, Mincecore Fever, 2010)

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Is it treason to admit liking Canadian Mincemaniacs Archagathus more than the founding mincer the one and only Agathocles? In any case I am sure we can agree on a number of things, firstly that both bands are good regardless of who's better than who, and secondly in true Mincecore fashion these guys produce a hell of alot of material. Luckily keeping up with the extensive discographies is made easier through a nifty tool known as an anthology,(someone please tell Agathocles this) And Archagathus' Mincecore Fever is exactly that, a anthology of their works from 2005 to the present, which would explain that the album art is a collection of album arts from their discography.

We have 40 tracks saturated in archaic Grind, splashing out bellowing grunts and screams occasionally timed to add impact to the peak of either a percussion bombardment with a filthy riff flung here and there. The music sounds gritty and rough cut throughout, there is something about the crude machinations of their work resembling that of neolithic man attempting music with the skull and bone of his foe replaced with that of a drum-kit and drumsticks. Furthermore the music awakens a number of primitive mechanics in your brain from their slumber, a sense of joy whilst having the desire to scream and thrash around, and pull a middle finger to authority, in true mincecore fashion.
Archagathus despite being a tribute band to Agathocles, seem to be more refined in the production of mincecore, everything seems to be more co-ordinated and tends to flow a bit more superflously,  and their production quality lacks a static discharge that is on a numerous Agathocles  releases, although this could be argued as deviating from Mincecore rules, I personally prefer it this way, giving a fresh face to a method that we have seen hundreds of times over.
So if you wish to hear the best Agathocles worship with a tweak here and there, then this certainly is one release to lay your paws on.


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Monday, 6 September 2010

Putrefactive Pain (Neuropathia vs Putrescence, 2010)

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 We all love covers among some of the classics in our respective genre, but rarely if ever do we actually come across a cover which is actually preferable to some of the most fundamental defining building blocks of Grindcore, and much to my surprise I have come across a  a cover of Scum which I greatly prefer to the original, and furthermore a cover of Dead Shall Rise which I find almost en par with the original. Now I love N.D and I love Terrorizer, and for me to make such a statement is not merely a sign of rampant fanboyism , but a well grounded statement, read further to explore.

Neuropathia are perhaps the most famous of the Polish extreme metal acts, and such a reputation is anchored in a fist full of releases scattered amongst their veteran career. Across their 9 tracks they manage to ram in 3 cover songs, Nasum - Time to Act, Napalm Death -Scum, Carcass - Manifestation of Verrucose Urethra, these covers as to be expected are "Neuropathiasised" and that certainly ain't a bad thing. We all remember Scum  with its notoriously dirty down tuned fuzzy guitar work, gritty bass lines and echoey drums well Neuropathia scrap that and play a clean cut fresh approach to it, and they effectuate this fantastically well. Among early grind fans, this might not appeal given the nostalgic appeal has been severed, however certainly amongst  those who Grindcore has come into being second hand, then I am sure you will rest on my side of the camp and prefer the cover. The other two covers are not quite as good as the original, the Carcass cover lacking the outright heavy fear factor which Carcass brought into the genre, and the Nasum cover lacking the general Nasum feel, although both attempts are commendable endeavors and worthy of a listen in their own right.
The remaining six songs are straight up standard recent Neuropathia with their death metal that occasionally dances into the realm of Grindcore, it has an upbeat rythmic stance to it, which although does not create a seriously heavy sound which we are accustomed to, it does have a nice catchy groove to it however. Certainly a recommendation for those seeking something fresh in Grindcore.
 Putrescence spawn from Canada, and romp about a sui generis blend of many genres, from straight up Grindcore, Death metal, Deathgrind and even on occasion tangoing with the Gore. The lack of genre consistency is what produces the delightful and unique sound which has made Putrescence's name, they are pretty much a band that will please any lover of any extreme metal genre. Racking up a total of 10 minutes across 5 vile tracks, we see no hint of technicallity, nor that of any insane guitar work or drum work, but merely a carcass of simple and catchy uncomplex extreme metal, yet somehow they manage to pull it off to create a very decent 10 minutes.
Sadly as per usual I shall commit myself to the typical moan; that the song titles are half-witted attempts at creativity however, the musical content behind the poorly strung names is of good character, and easily redeems such an injustice. They also do an amazing cover of Terrorizer's  Dead Shall Rise, from start to end they do not fail to give the old grinding classic a nice makeover, although being a fantastic cover, it does not quite reach the audio attack ecstasy of the original, but I am yet to meet a band who can.

 If you like something new to feast your senses on, and/or if you want to hear some fantastic covers of some Grindcore's best tracks ever or you just want a mishmash of death metal- grindcore - Goregrind, if any of these satisfy you, then get your ass in gear and get yourself a copy asap.

Sorrry about shit sound quality
 
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Thursday, 22 April 2010

Obssessive Grindcore Compulsion (Mesrine, Obssessive Compulsive, 2010)

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Mesrine are a death metal styled Grindcore act who hail from the idyllic backdrop of Quebec, but punish the Franco-Canadian outset with a bomb of dirty and loud noise raging across it. Much like many death metal acts, Mesrine take their name after an infamous criminal who's exploits reached both sides of the Atlantic. These late 90's grinders have an impressive roster of albums and split releases. Band's they have done releases with include ROT, Epitome, Dahmer and Fuck the Facts. This band is no longer the new kids on the block band I mistook them for prior to releasing that I actually own their split with Fuck the Facts.
Across 41 tracks totaling 38 minutes, we have a nice blend of short and long songs,and have sufficient album length to satisfy any thirst without having to change C.D, or choose another digital album to play.  This release reminds me alot Leng Tche, it has all the elements that are required for Grindcore but fails to produce a sound that is en par in terms of "Heaviness" with other Grindcore releases. Leaving this comment as it is will be an unfair comment to the band and the quality of the release, so instead I will just say that although it is not as heavy as Grindcore it is certainly heavier than Death metal, so it may be seem as an interim between the two.
Throughout Obsessive Compulsive at the beginning of the songs I hear the Napalm Death heavily down tuned slow paced grind from Scum. This is a nice blast from the past for me, it has been something which I have not heard in a while, and was very welcome.
 The guitars are good and the general flow of the album is quite nice, now however I march into my list of criticisms.  Firstly although for the most part the vocals are pretty top notch, they for some reason that baffles me add in  deathcore vocals, and seem to use these repeatedly to pad out the songs, and I beleive if they trimmed this undesirable taint, the release would be of significantly higher quality. My rant aside, I personally would of upped the volume of drums, you do have to strain to hear the blast beat, the drumming is beyond mediocre and sadly the album only at small parts reflects this however on the compulsive arguer in me also suggests that the guitar is good and by putting that on the focus and not the bread and butter of Grindcore: the blast beat you have a release that is not generic and easily identifiable.
 Perhaps my criticism was harsh, however it is slightly frustrating hearing something that is so close to be a very impressive piece of music, only to hear them bring in something so detested. All in all this release isn't bad and is highly audible, I certainly would recommend it  for those who like their old school Grindcore with heavy death metal overtones (and a tad of Deathcore), at the end of the day 99/100 your innovations will be shit, but you might make that 1/100 which will change music forever. Perhaps I am lagging behind is Deathcore the post-Grindcore? Don't get me wrong I like some Deathcore like Oceano (well thats really about it), however I still think Grindcore is where it is at.
Grind Out
Rating 57/100
(This is what I want to hear!)

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